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Writing the Comedy Movie
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It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on the comedic geniuses that have paved the way. Great comedy is built upon a strong foundation.
In Writing the Comedy Movie, Marc Blake lays out – in an entertainingly readable style – the nuts and bolts of comedy screenwriting. His objective is to clarify the 'rules' of comedy: to contextualize comedy staples such as the double act, slapstick, gross-out, rom com, screwball, satire and parody and to introduce new ones such as the bromance or stoner comedy. He explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples of each subgenre.
Marc Blake teaches film studies at Winchester and Southampton Solent Universities, UK. He runs writing courses at MarlboroughCollege, UK as well as a script consultancy (writingsitcom.com). He is theauthor of the novels Sunstroke, Big Time, and 24Karat Schmooze. His nonfiction includes How NOT to write Sitcom and Writing the Comedy Movie. He is thewriter/director of the forthcoming feature film Axman.
“A comprehensive and insightful survey of cinematic comedy forms and genres.” – Paul Gulino, Associate Professor of Film, Chapman University, USA, and author of Screenwriting: The Sequence Approach
“Marc Blake has written a very cool guide that will help new and experienced writers complete the comedy movie they've only been talking about writing. He covers the full spectrum of the types of comedies one can write: bromances, parodies, teen, gross out, dark and sex comedies, to name a few. Belongs on every comedy writer's shelf.” – D.B. Gilles, Professor of Undergraduate Film, New York University, USA, and author of Writer's Rehab and You're Funny!
In Writing the Comedy Movie, Marc Blake lays out – in an entertainingly readable style – the nuts and bolts of comedy screenwriting. His objective is to clarify the 'rules' of comedy: to contextualize comedy staples such as the double act, slapstick, gross-out, rom com, screwball, satire and parody and to introduce new ones such as the bromance or stoner comedy. He explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples of each subgenre.
Marc Blake teaches film studies at Winchester and Southampton Solent Universities, UK. He runs writing courses at MarlboroughCollege, UK as well as a script consultancy (writingsitcom.com). He is theauthor of the novels Sunstroke, Big Time, and 24Karat Schmooze. His nonfiction includes How NOT to write Sitcom and Writing the Comedy Movie. He is thewriter/director of the forthcoming feature film Axman.
“A comprehensive and insightful survey of cinematic comedy forms and genres.” – Paul Gulino, Associate Professor of Film, Chapman University, USA, and author of Screenwriting: The Sequence Approach
“Marc Blake has written a very cool guide that will help new and experienced writers complete the comedy movie they've only been talking about writing. He covers the full spectrum of the types of comedies one can write: bromances, parodies, teen, gross out, dark and sex comedies, to name a few. Belongs on every comedy writer's shelf.” – D.B. Gilles, Professor of Undergraduate Film, New York University, USA, and author of Writer's Rehab and You're Funny!
Κατηγορίες:
Έτος:
2016
Εκδότης:
Bloomsbury Academic
Γλώσσα:
english
Σελίδες:
272
ISBN 10:
1628925922
ISBN 13:
9781628925920
Αρχείο:
PDF, 2.12 MB
Οι ετικέτες (tags) σας:
IPFS:
CID , CID Blake2b
english, 2016
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