Fields of View

Main
Fields of View

Fields of View

A.L. Rees, Simon Payne,

0 / 0

Πόσο σας άρεσε αυτό το βιβλίο;

Ποια είναι η ποιότητα του ληφθέντος αρχείου;

Κατεβάστε το βιβλίο για να αξιολογήσετε την ποιότητά του

Ποια είναι η ποιότητα των ληφθέντων αρχείων;

Εκδότης:

Bloomsbury UK

Γλώσσα:

english

ISBN 10:

1838719954

ISBN 13:

9781838719951

Αρχείο:

EPUB, 7.35 MB

IPFS:

,

english

Διαβάστε online

Κατεβάστε (epub, 7.35 MB)

Η μετατροπή σε βρίσκεται σε εξέλιξη

Η μετατροπή σε απέτυχε

Ίσως σας ενδιαφέρει

editors Rosalind Krauss and Annette Michelson — October journal No.11 Winter (1979) - Essays in Honor of Jay Leyda

Rudolf Arnheim — Film as Art

Mia Makela — Live Cinema : Language and Elements

Michelson, Annette., Allen, Richard, Turvey, Malcolm — Camera Obscura, Camera Lucida

Volker Pantenburg — Farocki/Godard

Alter, Nora M. — The Essay Film After Fact and Fiction

Sergei Eisenstein — The Film Sense

Kahana, Jonathan;Musser, Charles — The documentary film reader: history, theory, criticism

Ryan Conrath — Between Images: Montage and the Problem of Relation

Jonathan Kahana — The Documentary Film Reader: History, Theory, Criticism

Vacche, Angela Dalle(Editor) — Film, art, new media museum without walls?

Nora M. Alter — The Essay Film After Fact and Fiction

Nora M. Alter — The Essay Film After Fact and Fiction

Vincent A. LoBrutto — Becoming Film Literate: The Art and Craft of Motion Pictures

David Curtis — World of Art: Artists' Film

Fabe, Marilyn — Closely watched films: an introduction to the art of narrative film technique

Rudolf Arnheim — Film as Art

Gabrielle Jennings, Kate Mondloch — Abstract Video: The Moving Image in Contemporary Art

Zinman, Gregory — Making Images Move: Handmade Cinema and the Other Arts

Raymond Spottiswoode — A Grammar of the Film

Daniel Morgan — The Lure of the Image: Epistemic Fantasies of the Moving Camera

Gabrielle Jennings (editor) — Abstract Video: The Moving Image in Contemporary Art

Gregory Zinman — Making Images Move: Handmade Cinema and the Other Arts

Daniel Morgan — The Lure of the Image: Epistemic Fantasies of the Moving Camera

Noel Carroll — Interpreting the Moving Image

Jacques Aumont — The Image

Malcolm Le Grice — Experimental Cinema in the Digital Age

Michael Frierson — Film and Video Editing Theory: How Editing Creates Meaning

Alexander Graf, Dietrich Schuenemann — Avant-Garde Film. (Avant-Garde Critical Studies 23)

Kim Knowles; Marion Schmid — Cinematic Intermediality: Theory and Practice

Jihoon Kim — Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age

Wendy Haslem — From Méliès to New Media: Spectral Projections

Wendy Haslem — From Melies to New Media: Spectral Projections

Malcolm Le Grice — Experimental Cinema in the Digital Age

A. L. Rees — Fields of View. Film, Art and Spectatorship

Φράσεις κλειδιά