Laocoon: An Essay on the Limits of Painting and Poetry

As Michael Fried writes in his foreword, it is Lessing who invented the modern concept of the artistic medium, and it is in the Laocoön , ultimately, that we find the source for modernist assumptions of the uniqueness and autonomy of the individual arts. 

And, as Fried argues, it is a work that present an impressively coherent esthetic semiotics, a book that at once sums up and moves beyond classical thought about the nature of the sign. 

Long a central text for literary critics, art historians, and philosophers, the Laocoön is here returned to print in Edward Allen McCormick's authoritative translation. 

McCormick's introduction, notes, and biographical appendix have been retained; the new foreword by Michael Fried emphasizes Lessing's current importance for recent trends in art history and literary theory.